[1]郑湛,沈祥胜.用感官盛宴的艺术思维设计电影服饰[J].武汉职业技术学院学报,2012,(01):95-97.
ZHENG Zhan SHENG Xiang-shen.Sensory Feast- An Artistic Design Technique for Comic Costumes[J].Journal of Wuhan Polytechnic,2012,(01):95-97.
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用感官盛宴的艺术思维设计电影服饰()
《武汉职业技术学院学报》[ISSN:1006-6977/CN:61-1281/TN]
- 卷:
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- 期数:
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2012年01期
- 页码:
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95-97
- 栏目:
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- 出版日期:
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2012-02-15
文章信息/Info
- Title:
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Sensory Feast- An Artistic Design Technique for Comic Costumes
- 文章编号:
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1671-931X (2012) 01-0095-03
- 作者:
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郑湛1; 2; 沈祥胜1
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1 武汉纺织大学,湖北武汉430073;2 武汉大学,湖北武汉430072
- Author(s):
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ZHENG Zhan1 SHENG Xiang-shen2
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1.Wuhan Textile University, Wuhan430073, China; 2. Wuhan University, Wuhan430072, China
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- 关键词:
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电影服饰; 视觉形式; 感官盛宴; 艺术思维
- Keywords:
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comic costume; visual representation; sensory feast; artistic thinking
- 分类号:
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J918
- 文献标志码:
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A
- 摘要:
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电影艺术离不开用特定的视听语言来表现和吸引人们的注意力,电影中的服饰设计作为影视美术的重要的部分参与电影的叙述和人物塑造并不是将自己隐藏在电影和人物背后,相反,是对影片的视觉形式起了致关重要的作用。基于对感官盛宴的概念和感官盛宴的艺术思维阐述,通过对多部电影中服装设计特点的解析,归纳提出服装设计的"庞大感"能够增强人物在视觉上的力度,服装设计的"奢华感"能够渲染出影片的视觉质感。
- Abstract:
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Film artists rely on sensational visual and audible elements to attract audience's attention mainly. The
paper recognizes that as an important part of the film arts and visual element in the movie, comic costumes are involved
not only in telling story and creating characters but also in producing visual effect. To begin with, the paper elaborates
the conception of sensory feast and its artistic thinking. Then it analyzes the artistic characteristics of costumes used in
several movies and concludes that where Sense of Giant is produced in the design of the costume, images are reinforced
visually, while the Sense of Luxury from the costume can create a tactile sensation.
备注/Memo
- 备注/Memo:
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收稿日期:2012-01-11
作者简介:郑湛(1975-),女,武汉纺织大学研究生,武汉大学教师,研究方向:数字影像艺术;沈祥胜(1963-),男,武汉纺织大学教授,硕士
生导师,研究方向:数字影像艺术。
更新日期/Last Update:
2012-02-15